It didn't start with a camera course or a brand strategy. It started on a skateboard in Betina — a small town on the island of Murter — with a Canon Powershot and a Sony tape camcorder we'd pass between sessions. That's where the obsession with dynamic, cinematic frames began. Before I had a word for it.
Years of other things followed. Music production — Drum and Bass under the name Outcrier, then synthwave as Velocity Zero. DJing across Europe. Modelling. Running events. Ten years working Garden Festivals on the coast. Creativity was never the problem. A camera just wasn't part of it yet.
Then 2020. The world stopped. My friend Tina — a professional model at the time — handed me an opportunity I didn't know I was waiting for. She pushed me to pick up a camera and start shooting seriously. I did. Those first frames defined my direction before I even understood what direction meant.
Since then the work has grown into three distinct bodies. Events — the energy, the dancefloor, the performers before the last track drops. Deserted Depth — bold, cinematic editorial; dark, dramatic, unapologetic. Fashion & Beauty — brand campaigns and editorials where every frame has a reason. The through-line: I'm not trying to document what something looks like. I'm trying to show what it feels like.